It’s been a long summer chock full of comic conventions across the country, the most popular and well-attended being San Diego Comic-Con. These are the places where die-hard fans of all sorts—comic books, video games, movies, web series, television, you name it—come to hang out in resplendent costumes based on their favorite characters. Just take a stroll through the cosplay wrapups from San Diego Comic-Con this year to revel in the sheer awesomeness of the costumes people created. There’s everything from Disney, to Adventure Time, to Robot Chicken, and hundreds more fandoms represented. Test your geek aptitude and try to identify every character. It’s tough.
But as most cons wrap up for the summer, we cannot put enough focus on the safety of cosplayers. “Cosplay is not consent” is a phrase most convention goers should be familiar with by now. It’s the motto that addresses unwanted attention cosplayers are often forced to deal with. While harassment isn’t exclusively a problem for female cosplayers, they seem to suffer the brunt of the problem. Comic books have long been a male-centric medium and only in the last decade or so have we seen a surge of female fans coming out to declare their geekdom, thanks to the mainstreaming of fan culture.
Some of the characters female fans choose to portray are indeed highly sexualized characters who wear ultra tight or scanty costumes that leave little to the imagination. For a general concept, think Wonder Woman or Gamora and Nebula from Guardians of the Galaxy. These fans are staying true to their characters, but unfortunately some male fans see these outfits as an invitation to verbally abuse or even assault the cosplayers.
I’m sure this may surprise some, but I don’t blame white people for American racism. I singularly blame white privilege. It’s the idea—not the people—that affects everything. You can forgive a person, but how do you forgive a racist ideology?
"New market research provided by Tumblr to AdWeek reveals that the median income of Tumblr users is higher than that of other main social media platforms.
That means that all those businessy types who spent years declaring Tumblr’s business prospects “unattractive,” and handwringing over its perceived cultural status as a vapid, arty playground for teenage girls may now be eating their words. It turns out Tumblr’s younger, mostly female demographic has more money to spend than everyone else.
Tumblr reported to AdWeek that the median household income of its user base is $80,075. That puts it just ahead of Twitter and Facebook ($79,562 and $78,967, respectively), and well-ahead of Pinterest ($70,124).”
Hating U2 is something of a modern Rorschach test, and more than anything, it’s the same brand management issue that befalls just about any band that aspires to be the biggest in the world. The moment a group aims to be the one act everyone likes, they become the one “no one likes,” or at least the one the Internet most likes to dogpile on.
Tyler Oakley’s arms thrown up mid-fangirl captured entirely in Taco Bell hot sauce.
A Nutella Troye Sivan staring back at you from a white canvas.
This all describes the art of YouTuber and artist Conor Collins, a 25-year-old in Manchester, England, who’s taken a very nontraditional approach to capturing the stars of YouTube, inspired by the nature of their newfound celebrity.
“The people … are quickly becoming famous for just being them,” he explained to the Daily Dot. “Not being footballers or musicians or politicians, but just being them and saying what they thought. As an artist who paints people, this new group of influential people on the Internet tickles my creativity. So it just made sense that if I were to begin to make these portraits anyway, might as well do it in the way which best reflects them—on YouTube!”